Showing posts with label Odysseas Elytis. Show all posts
Showing posts with label Odysseas Elytis. Show all posts

Elytis on the Albanian campaign















Now the dream in the blood throbs more swiftly
The truest moment of the world rings out:
Liberty,
Greeks show the way in the darkness:
LIBERTY
For you the eyes of the sun shall fill with tears of joy.

Rainbow-beaten shores fall into the water
Ships with open-sails voyage on the meadows
The most innocent girls
Run naked in men’s eyes
And modesty shouts from behind the hedge
Boys! There is no other earth more beautiful

The truest moment of the world rings out!

With a morning stride on the growing grass
He is continually ascending;
Around him those passions glow that once
Were lost in the solitude of sin;
Passions flame up, the neighbours of his heart;
Birds greet him, they seem to him his companions
‘Birds, my dear birds, this is where death ends!’
‘Comrades, my dear comrades, this is where life begins!’
The dew of heavenly beauty glistens in his hair.

Bells of crystal are ringing far away
Tomorrow, tomorrow, tomorrow: the Easter of God!

(Odysseas Eltyis: From the Heroic and Elegiac Song for the Lost Second Lieutenant of the Albanian Campaign).

As a reserve officer, the poet Odysseas Elytis was called up immediately after the Italian invasion and served on the Albanian front with the rank of second lieutenant in the First Army Corps. The translator Kimon Friar says of Eltyis’ war experiences that the poet ‘saw in the heroic resistance of the Greek people against superior odds, throughout their long history, a recklessness of spirit, a divine madness. In the spontaneous reaction of the Greek people to Mussolini’s invasion, he saw the victory of a beautiful rashness over self-calculation, an instinct that could distinguish between good and evil in a time of danger’.

In a letter to Friar, Elytis describes the impact of the war on his life and poetry:

‘A kind of “metaphysical modesty” dominated me. The virtues I found embodied and living in my comrades formed in synthesis a brave young man of heroic stature, one whom I saw in every period of our history. They had killed him a thousand times, and a thousand times he had sprung up again, breathing and alive. His was no doubt the measure and worth of our civilisation, compounded of his love not of death but of life. It was with his love of Freedom that he recreated life out of the stuff of death.

‘Later, with an order in my pocket, I set out to meet my new army unit at the front somewhere between the Akrokeravnia Mountains and Tepeleni. One by one, I abandoned the implements of my material existence. My beard became more and more unkempt. The lice swarmed and multiplied. Mud and rain disfigured my uniform. Snow covered everything in sight. And when the time came for me to take the final leap, to understand what role I was to play in terms of the enemy, I was no longer anything but a creature of slight substance who – exactly because of this – carried within him all the values of material life stressed to their breaking point and conducted to their spiritual analogy. Was this a kind of “contemporary idealism?” That very night it was necessary for me to proceed on a narrow path where I met repeatedly with stretcher-bearers who with great difficulty tried to keep in balance the heavily wounded whom they were bearing to the rear. I shall never forget the groan of those wounded. They made me, in the general over-excitement of my mind, conjure up that “it is not possible,” that “it cannot otherwise be done,” which is the reversion of justice on this earth of ours. They made me swear an oath in the name of the Resurrection of that brave Hellenic Hero, who became now for me the Second Lieutenant of the Albanian Campaign, that I would advance into battle with this talisman of my lyrical idea… Nothing further remained for me but to fulfill my vow, to give form to the Second Lieutenant of the Albanian Campaign on multiple levels woven together with the traditions of Greek history, but also involved – in particular – within and beyond death, in the Resurrection, the Easter of God.’

Marina, Elytis


This is Nina Venetsanou singing Marina, music by Theodorakis, from the poem by Odysseas Eltytis.

Marina
Give me mint and basil
verbena too to smell
For with these I would kiss you
what first would I recall

The fountain with the doves
the sword Archangels keep
The orchard with the stars
and the well so deep

The nights I took you out
to the sky’s other vista
And as you’d rise I’d see you
like the Dawn-Star’s sister

Marina my green star
Marina Dawn-Star’s shine
Marina my wild dove
and lily of summertime.

Theophilos Paleologos

I

As he stood there – erect before the Gate and impregnable in his sorrow

Far from the world – where his spirit sought
 to bring Paradise to his measure – And harder even than stone – for no one had ever looked
 on him tenderly – at times his crooked teeth 
whitened strangely

And as he passed by with his gaze a little
 beyond mankind – and from them all
 extracted One who smiled on him
 – the Real One 
– whom death could never seize

He took care to pronounce the word sea clearly that all the dolphins
 within it might shine – And the desolation so great it might 
contain all of God
 – and every water drop ascending steadfastly toward the sun

As a young man he had seen gold glittering
 and gleaming on the shoulders of the great – And one night – he remembers – during a great storm the neck of the sea roared so it turned murky – but he would not submit to it

The world's an oppressive place to live through 
– yet with a little pride it's worth it.


II

Dear God what now
 – Who had to battle with thousands 
– and not only his loneliness
 – Who?
 – He who knew with a single word 
how to slake the thirst of entire worlds
 – What?

From whom they had taken everything
 his – And his sandals with their criss-crossed straps and his pointed trident – and the wall he mounted every afternoon like an unruly and pitching boat 
– to hold the reigns against the weather

And a handful of vervain
 – which he had rubbed on a girl's cheek
 – at midnight – to kiss her – (how the waters of the moon gurled
 on the stone steps three cliff-lengths above the sea...)

Noon out of night 
– And not one person by his side
 – Only his faithful words that mingled
 all their colors to leave in his hand
 a lance of white light

And opposite – along the whole wall's length
 – a host of heads poured in plaster
 as far as his eyes could see

“Noon out of night – all life a radiance!"
– he shouted and rushed into the horde 
– dragging behind him an endless golden line

And at once he felt – the final pallor overmastering him – as it hastened from afar.


III

Now – as the sun's wheel turned more and more swiftly – the courtyards plunged into winter and once 
emerged red from the geraniums

And the small cool domes – like blue medusae
 – reached each time higher to the silverwork 
the wind so delicately worked as a painting 
– for other times more distant

Virgin maidens
 – their breasts glowing a summer dawn
 – brought him branches of fresh palm leaves – and those of the myrtle uprooted from the depths of the sea

Dripping iodine 
– While under his feet he heard
 – the prows of black ships 
sucked into the great whirlpool – the ancient and smoked seacraft
 from which still erect with riveted gaze
 – the Mothers of God stood rebuking

Horses overturned on dumpheaps 
– a rabble of buildings large and small
 – debris and dust flaming in the air

And there lying prone
 – always with an unbroken word
 between his teeth
Himself

the last of the Hellenes!

(Odysseas Elytis)