The Gunfighter: the futility and tragedy of trying to escape a violent past

 

The Gunfighter (1950) is an excellent Western, made even more interesting because at the height of the genre’s popularity it began to question the myths it was propagating and started a theme of the ageing man of violence, who’s not so quick on the draw anymore, tired of brutality, haunted by the men he’s killed and whose reputation is such that he is now not only the object of unwelcome curiosity and obsequiousness but also the target of young toughs who want to prove themselves against the most famous gunslinger in the West and, in doing so, seize his mantle.

Gregory Peck plays Jimmy Ringo, based on the famous outlaw Johnny Ringo, who’s reached the stage of his life where he wants to give up his tempestuous past and settle down. He tracks down the woman he loved before he embarked on outlawdom and wants to persuade her that he’s a changed man and now wants to be a family man.

As he waits, holed up in the town saloon, for her to make her mind up, the local population becomes increasingly agitated by having such a famous visitor in their midst, the town’s children, in awe of his exploits, want to catch a glimpse of the legendary man; the local businessmen see a chance to make money; the women’s temperance leaders notice an opportunity to express their moral outrage; while the town’s young loudmouth talks himself into taking on the notorious fighter.

While all this uproar is taking place, a trio of brothers are closing in on Jimmy wanting revenge for the killing of a family member. It seems that Ringo’s dream of a new life, a peaceful life, with his past behind him, is going to elude him.

Henry King directed the film from a screenplay by William Sellers and William Bowers, based on an idea from Andre de Toth. De Toth, as both screenwriter and director, is responsible for some of the finest Westerns – Man in the Saddle, Carson City, Springfield Rifle, The Stranger Wore a Gun, Day of the Outlaw – while the film is also referenced in the Bob Dylan song, Brownsville Girl:

Well, there was this movie I seen one time
About a man riding 'cross the desert and it starred Gregory Peck
He was shot down by a hungry kid trying to make a name for himself
The townspeople wanted to crush that
Kid down and string him up by the neck
Well, the marshal, now he beat that kid to a bloody pulp
As the dying gunfighter lay in the sun and gasped for his last breath
Turn him loose, let him go, let him say he outdrew me fair and square
I want him to feel what it's like to every moment face his death

Indeed, Gregory Peck quoted Brownsville Girl in 1997 when presenting Dylan with the The Dorothy and Lillian Gish Prize.

Peck said in his speech: ‘Dylan was singing about a picture that I made called The Gunfighter about the lone man in town with people comin' in to kill him and everybody wants him out of town before the shooting starts. When I met Bob, years later, I told him that meant a lot to me and the best way I could sum him up is to say Bob Dylan has never been about to get out of town before the shootin' starts. Thank you, Mr. Dylan, for rocking the country... and the ages.’